Masykur, Muhammad Riduwan and Soleh, Achmad Khudori ORCID: https://orcid.org/0000-0002-5145-6046 (2023) Seni pegelaran wayang dalam perspektif fikih dan spiritualitas seni islam Seyyed Hossein Nasr. Muslim Heritage, 8 (1). pp. 103-114. ISSN 2502-5341
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Abstract
The function of wayang in the context of ancient times was a means of worship and an intermediary in worshiping God. Whereas in Islam, it is not permissible to worship God by means of means or media, so this becomes a shirk to Allah, over time wayang changes its function, which is contrary to the past, and becomes more adaptive to the times. The purpose of writing this article is to discuss the art of wayang from the perspective of Islamic law or fiqh and in the study of the spirituality of Islamic art Seyyed Hossein Nasr. The writing of this article uses the library research method and literature sources that are in line with the discussion. This research resulted in findings that 1) wayang is an indigenous culture of the archipelago, which at first glance contradicts the views of Islamic jurisprudence and art by Seyyed Hossein Nasr 2) Wayang is an archipelago culture that has a great influence, in the perspective of fiqh, wayang performances are a form of Islamic art based on culture because of their use value today as art without associating partners with Allah., 3) From the perspective of Islamic art Seyyed Hossein Nasr Wayang is classified as a traditional Islamic art as its function is used in educational media through stories that are interesting and seem unique, the existence of wayang that can bring people to their goals Islamic art makes wayang used by walisongo as an effective preaching medium.
Item Type: | Journal Article |
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Keywords: | wayang; Islamic art; art law; Seyyed Hossein Nasr; spirituality art |
Subjects: | 22 PHILOSOPHY AND RELIGIOUS STUDIES > 2201 Applied Ethics 22 PHILOSOPHY AND RELIGIOUS STUDIES > 2203 Philosophy |
Divisions: | Faculty of Psychology |
Depositing User: | Dr Achmad Khudori Soleh |
Date Deposited: | 03 Jul 2023 10:04 |
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