The representation of poverty in the “Tanah Mama” Film by Asrida Elisabeth based on Max Weber’s perspective

Hasyim, Muhammad (2019) The representation of poverty in the “Tanah Mama” Film by Asrida Elisabeth based on Max Weber’s perspective. Presented at The 3rd English Language & Literature International Conference (ELLiC 2019), 27 Apr 2019, Semarang.

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Abstract

The study aims to understand the kinds of poverty, the causes of aprearing poverty, and the impact of poverty towards family and society in the “Tanah Mama” film based on Max Weber’s Perspective. This research is a qualitative research. The data source is the “Tanah Mama” film. The techniques of data collection used are watching and noting. The techniques of data validation used are increasing persistence, triangulation, and peer discussion. The techniques of data analysis used is Moles and Huberman models that consist of data reduction, data presentation, and conclusion drawing. Based on the data found and their analysis, the reseachers concluded that the kinds of poverty that occurred in the “Tanah Mama” film are natural poverty and structural poverty. The causes of appearing poverty in the “Tanah Mama” film are the existence of injustice, local government policies, and low education in the village. The impacts of poverty towards family and society in the “Tanah Mama” film are the conflicts between families and the low properity of local society.

Item Type:	Conference (Paper)
Keywords:	causes; film; impacts; kinds; poverty
Subjects:	20 LANGUAGE, COMMUNICATION AND CULTURE > 2004 Linguistics > 200405 Language in Culture and Society (Sociolinguistics) > 20040599 Language in Culture and Society (Sociolinguistics) not elsewhere classified
Divisions:	Faculty of Humanities > Department of Arabic Language and Letters
Depositing User:	S. Hum, MA Muhammad Hasyim Hasyim
Date Deposited:	08 Jun 2021 14:05

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